Succession is an American satirical black comedy-drama television series created by Jesse Armstrong. Nicholas Britell (born October 17, 1980) is an American composer, pianist, and film producer based in New York City. He has scored both of Barry Jenkins’s studio films, Moonlight (2016) and If Beale Street Could Talk (2018), both of which received nominations for Best Original Score at the Academy Awards. He has also worked with Adam McKay, scoring his three most recent films, The Big Short (2015), Vice (2018), and Don’t Look Up (2021), the latter receiving a nomination for Best Original Score at the Academy Awards and the Hollywood Music in Media award for Best Original Score. The HBO original series Succession (2018–present) marked Britell’s entry into television. Britell scored all three seasons, earning the Emmy Award for Outstanding Original Main Title Theme Music[1] and the Hollywood Music in Media Award for Best Original Score – TV Show/Limited Series. His score for the second season of Succession was nominated in 2020 for the Emmy Award for Outstanding Music Composition for a Series. His score for The Underground Railroad was nominated for Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score) at the 73rd Primetime Emmy Awards.

Hi, my name is Ryan Van Tuyl, and since 2004 I’ve helped thousands of kids learn piano, singing, guitar, bass, drums, and songwriting in schools all over the world. The programs I’ve created teach kids how to achieve their musical dreams and become better, hardworking individuals through learning to play and perform rock, pop, hip-hop, blues, metal, and jazz music. Graduates of my programs have attended prestigious music colleges and universities. However, these programs have only been able to exist in middle-to-upper-class communities, where parents can afford to fund music education for their children directly.

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.