“Moondance” is a song recorded by Northern Irish singer and songwriter Van Morrison and is the title song on his third studio album Moondance (1970). It was written by Morrison, and produced by Morrison and Lewis Merenstein. “Moondance” was recorded at the Mastertone Studio in New York City in August 1969, with Lewis Merenstein as producer.[5] The song is played mostly acoustic, anchored by a walking bass line (played on electric bass by John Klingberg), with accompaniment by piano, guitar, saxophones, and flute with the instruments played with a soft jazz swing. It’s a song about autumn, the composer’s favourite season. Towards the end of the song, Morrison imitates a saxophone. The song also features a piano solo, played by Jef Labes, which is immediately followed by an alto saxophone solo by Jack Schroer. The song ends with a trill on the flute during the cadenza that fades out. Schroer’s solo is often noted as one of the most influential saxophone solos in popular music. The scale used in Schroer’s “Moondance” solo is A Aeolian (A, B, C, D, E, F, G) or could simply be considered as a C major scale and is played primarily over a D minor to A minor vamp that resolves via a sharp V (♯5 = F7) to natural V (5 = E7♯9) dominant chord.

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

“We Are the Champions” is a song by the British rock band Queen, released from the band’s sixth album News of the World (1977). Written by lead singer Freddie Mercury, it remains among rock’s most recognisable anthems. Written by Freddie Mercury, “We Are the Champions” was built on audience response following a concert at Bingley Hall, Stafford in which the audience sang “You’ll Never Walk Alone” to the band. It embodies numerous elements of arena rock, with Brian May stating, “We wanted to get the crowds waving and singing. It’s very unifying and positive.” “We Are the Champions” Featuring Mercury on piano, Classic FM called “We Are the Champions” a “bombastic monument of an anthem”, with “its soaring, triumphant melody known at sporting events and award ceremonies the world over”. Problems playing this file? See media help. Musically, it is based on Mercury’s piano part, with Roger Taylor and John Deacon providing a drums and bass guitar backing. May overdubbed some guitar sections, initially subtle, but building to a “solo” played simultaneously with the last chorus. Mercury employed many jazz chords (major and minor 6th, 7th, 9th, 11th and 13th harmonies), and the choruses featured these voiced as four- and five-part vocal harmonies. The lead vocal is very demanding and strident (highest point is a C5 both belted and in falsetto), with one of Mercury’s most notable performances taking place at the Live Aid concert, at Wembley Stadium, London in 1985.

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

“I Wanna Be Your Lover” is a song by American recording artist Prince. It was released on August 24, 1979, as the lead single from his second album, Prince. The song was Prince’s first major hit single in the United States, reaching number 11 on the Billboard Hot 100 on January 26, 1980, holding the number 11 position for two weeks, and peaking at number one on the Billboard Hot Soul Singles chart for two weeks. “I Wanna Be Your Lover” was written after Warner Bros. requested a follow-up to Prince’s debut album For You, which had underperformed commercially. In response, Prince recorded “I Wanna Be Your Lover.” Musically, it is a funk song sung exclusively in falsetto, detailing Prince’s love for a woman and how he would treat her better than the men she is with, and frustration that she thinks of him as “a child”. The single edit stops after 2:57, but the album version goes off on a jam of keyboards and synthesizers, including a Polymoog, played by Prince. It was later revealed that the song concerned a crush Prince had at the time on pianist and singer Patrice Rushen. Prince – lead and backing vocals, rhythm and bass guitar, keyboards and synthesizers, polymoog, drums

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

“Panama” is a song by the American rock band Van Halen. It was the third US single released from the album 1984. Despite its name, the song is not about the country. Instead, the song was reportedly written about a car.[10][11] In an interview with Howard Stern, lead singer David Lee Roth explained the meaning behind the song. Although the song features some suggestive lyrics, it is about a car that Roth saw race in Las Vegas; its name was “Panama Express”, hence the title of the song. David Lee Roth – lead vocals Eddie Van Halen – guitar, backing vocals Alex Van Halen – drums Michael Anthony – bass guitar, backing vocals

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

“Ain’t Talkin’ ’bout Love” is a song by American rock band Van Halen. It was released in October 1978 as the third single from their 1978 debut album, Van Halen. This song is one of the few David Lee Roth-era songs that subsequent replacement Sammy Hagar was willing to sing in concert when he joined the band in the mid-1980s. When Eddie Van Halen wrote the song, he did not consider it good enough to show his bandmates until a year later.[1] He said it was supposed to be a punk rock parody, “a stupid thing to us, just two chords. It didn’t end up sounding punk, but that was the intention.” The guitar solo was doubled in overdubs with an electric sitar. David Lee Roth – lead vocals Eddie Van Halen – guitar, backing vocals, electric sitar Michael Anthony – bass, backing vocals Alex Van Halen – drums

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

“The Boys Are Back in Town” is a song by Irish hard rock band Thin Lizzy. The song was originally released in 1976 as the first single from their album Jailbreak. “It was 1976 and we were touring America”, recalled Scott Gorham. “Jailbreak wasn’t shifting and we weren’t selling any tickets”. The band were surprised to learn from their manager that “The Boys Are Back in Town” was becoming a hit record, especially as the track had not been among the ten songs originally chosen by the band for the album. Gorham attributed the song’s unexpected success to two DJs in Louisville, Kentucky who “played it incessantly until other stations in the surrounding area picked up on it… Had that song not kickstarted the sales of the album, then the band was over.”

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

“We Will Rock You” is a song written by Brian May and recorded by British rock band Queen for their 1977 album News of the World.[3] Rolling Stone ranked it number 330 of “The 500 Greatest Songs of All Time” in 2004,[4] and it placed at number 146 on the Songs of the Century list in 2001. In 2009, “We Will Rock You” was inducted into the Grammy Hall of Fame.[5][6] Other than the last 30 seconds, which contains a guitar solo by May, the song is generally set in a cappella form, using only stomping and clapping as a rhythmic body percussion beat. In 1977, “We Will Rock You” and “We Are the Champions” were issued together as a worldwide top 10 single.[7] Soon after the album was released, many radio stations played the songs consecutively, without interruption. Freddie Mercury – lead and backing vocals, hand claps, foot stamping Brian May – electric guitar, backing vocals, hand claps, foot stamping Roger Taylor – backing vocals, hand claps, foot stamping John Deacon – hand claps, foot stamping

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

“Stairway to Heaven” is a song by English rock band Led Zeppelin, released in late 1971. It was composed by the band’s guitarist Jimmy Page and lead singer Robert Plant for their untitled fourth studio album (often titled Led Zeppelin IV). The song is widely regarded as one of the greatest rock songs of all time.[4][5][6][7][8] The song has three sections, each one progressively increasing in tempo and volume. The song begins in a slow tempo with acoustic instruments (guitar and recorders) before introducing electric instruments. The final section is an uptempo hard rock arrangement, highlighted by Page’s guitar solo and Plant’s vocals, which ends with the plaintive a cappella line: “And she’s buying a stairway to heaven.” Robert Plant – vocals Jimmy Page – electric and acoustic guitars, production, mastering, digital remastering John Paul Jones – bass, electric piano, recorders John Bonham – drums

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl

According to guitarist Eddie Van Halen, the instrumental dates back to 1983, “before I wrote “Jump” – it didn’t come out until about ’92, ’93 or something like that, cause nobody wanted anything to do with it.”[1] An early version of the melody appears in the 1984 movie The Wild Life which was scored by Eddie. Hagar has said that he was writing the lyrics to this song at the studio very late one night, and he heard Eddie in an adjacent room working on a piano melody. Hagar said he suddenly realized that “we were writing the same song,” so he walked into the room and began singing his words over Eddie’s music.

While all of this has been a fantastic experience, it has left out kids who attend schools in underprivileged, more diverse communities without funding for modern music education. Schools and districts in these areas lack funding for the equipment, teachers, curriculum, and support necessary to facilitate rock-band-style programs like the ones I’ve created.

My mission was to tackle this head-on and bring these exceptional programs to students in economically challenged areas, so I sold my music schools and am launching The Van Tuyl Music Foundation to forever change music education. Our foundation will directly provide the funding for the equipment, instruction, curriculum, and support necessary to facilitate these programs.

Ryan Van Tuyl